The project area is located in one of the historical environments of Batumi, it can be said that if we consider Gogebashvili Street, which is located after the seashore, as the beginning of “Old Batumi”, then the project area is located at the end of “Old Batumi”. Despite the fact that the context is very interesting and characteristic, the general architectural style of the area immediately adjacent to the project area is still eclectic and we can hardly call it “historical architectural heritage”. According to the architectural concept, it was determined from the very beginning in which direction the appearance of the building would go and how the modern building would fit into the historically characteristic urban fabric in order to further strengthen the context of historical development and at the same time maintain its individuality. According to the existing regulations, the total usable height of the building should not exceed 15 meters. This height also became a prerequisite for the unique views of “Old Batumi” from the second, third and fourth floors of the building, which is why we wanted the diversity of views to become a key defining part of the building’s appearance. In the end, we got rectangular geometric floors from which the occupant would have the opportunity to enjoy the views of “Old Batumi” not only in one direction, but in different directions.

A hotel-type residential building is located on the coastal strip in Kobuleti, a city where the waves of the Black Sea echo the centuries-old history. A green boulevard and fresh air create a harmonious environment for people - both for relaxation and inspiration. The long rectangular shape of the territory, which develops parallel to the sea strip, determined the geometry of the building from the very beginning. But the architectural form is not just a response to the context - it is a carrier of an idea. The development of the concept served to solve the following issues: how should housing become a space of inspiration? How should comfort, nature and history be combined in a single architectural narrative? The answer to these questions moves us to the past - the pine forest territory of Kobuleti, which was covered by the powerful Colchian civilization even at the beginning of our era, became the main historical inspiration. Colchian artifacts discovered during archaeological excavations — including the symbolism found on the docks — gave rise to the main design theme: the panels used in the interior read this past in a modern language and create connections with the people who live here. The main solution of the facade is determined by the aluminum curtain-blinds, which simultaneously play both a functional and aesthetic role. It protects the building from climatic influences and creates its appearance, while the composite panels ensure the long-term durability of the facade and the constancy of the visual appearance. The color palette is reduced to two main tones — light and dark. Dark tones highlight the architectural contours, while the light blue curtain-blinds create the illusion that the upper part of the building disappears into the sky.

The residential house reconstruction project involves changing the internal planning structure of a house built in the last century and adding a balcony and a staircase to the main facade. The other facades of the building remained unchanged in accordance with the customer's request, which ultimately resulted in an interesting synthesis, where the juxtaposition of new, present, modern and past architecture is clearly visible. Bare concrete, a simple metal railing and a vertical stained glass window in the staircase ultimately add a distinctive individualism to the house.

An attempt to combine modern architecture and ecological awareness - a design that is in harmony with nature. The building is a symbol of changes in the urban space of Batumi - which creates new standards. A place where architecture becomes the main refuge of man - a space that combines comfort and sustainable development.

A residential building for a single family is situated in the picturesque area of Gonio, Batumi, not far from the city. The project site is defined by its intricate and challenging relief, presenting the initial task of designing functional residential spaces harmoniously integrated with the terrain. Horizontal and vertical concrete lines emerge as the defining features, shaping the building's overall aesthetic and serving as the core architectural elements of its design.

The city of Kobuleti, in addition to its extraordinary Black Sea coast, is also known for the fact that in the past, a great cultural life flourished here, particularly in the settlement of Pishvnari. Moreover, it was a big city spread over 100 hectares. Its age is also known - BC. II-I millennia, because the remains of the Kolkhi culture of this period were found here during excavations. One of the archeological facts found here became the inspiration for the project. V century We wanted to convey this rich historical heritage to the interior, thus making the space more social and offering something new to the visitor, a story unknown to him before.

The architectural environment of the project area is eclectic. The urban environment, consisting of hotels, residential and family hotels built at different times, consists of less distinctive architectural objects. Their basic appearance and color scheme are mostly identical. The shape of the project building is dictated by the architectural concept, which involves the vertical division of the building into four unequal parts, which visually reduces the height of the building. That is why the floors of the building differ from each other in shape and color. The first five floors of the building are a kind of modern, thoughtful replica of the surrounding buildings, while the subsequent circular floors are designed so that all apartments located there have a virtually 360-degree uninterrupted and beautiful view.

According to the architectural concept, the residential house project is designed for two families. The project area is distinguished by its relief, the street level is 6 meters higher than the yard, so from the very beginning it was a challenge to design the living spaces in this case. The house consists of two underground and 4 above-ground floors. Two families are distributed on the floors in such a way that they can easily collaborate if they wish, and otherwise live independently through aluminum curtain blinds and various architectural techniques. The minimalist, simple architectural appearance, bare concrete, gives the building the expectation of adapting to nature.

The tourist center and hotel building is the first object in the “Chvani Valley Tourist Infrastructure”. The space from which the “Chvani Valley of New Discoveries” begins. “Emotionally, substantively and conceptually, the building was to be a kind of summary of what kind of architectural solutions should await the visitor. The historical-cultural subtext is the basis that inspired the planning of the space. The composition of the Khabelashvili Bridge and the local construction tradition are the main elements, the desire for modern changes to which also appeared at the very beginning of the design. In the end, the building emerged as a single whole, with interdependent common spaces.

"Emotional Huts" is the name of one of the objects of the tourist complex, consisting of several small holiday cottages. This is a kind of hybrid between a tent and a house. The forest, which is gradually developing, is a wonderful natural environment for meditation, relaxation, it is enough just to find a place for all this. A surge of emotions, feelings and inspiration, harmonious connection with nature and dialogue with it - this is what a modern person cannot miss. An artificial support raised from the ground, where cottages of almost 9 square meters will be located, with a half-glass roof, is a wonderful way to find a dialogue with nature. The plan has designed a walking path between the cottages so that it fits into the existing terrain and determines a unique location for each cottage.

Restaurant - this is the name of one of the objects of the Chvani tourist complex. In geometric form, it has an elongated rectangular shape. Which repeats the design area and follows its contour. An open seating area is arranged on top of the building, which will be used for various events in the future. The interior also looks interesting, where the caisson roof and the openings left in it for natural lighting are a charming moment. The facade is inspired by local architecture, which will make the building more authentic over time.

The distinctive shape of the building stems from its unique planning structure. Each floor of the building houses individual hotel rooms of different types, sizes catering to different groups of guests. The hotel has a total of five floors and consists of a reception, a lounge area, 26 hotel rooms and a café-restaurant.

During the concept development process, great attention was paid to the sides of the horizon. From the very beginning, we wanted the main part of the house, including the sleeping and living spaces, to be located in the southern and eastern parts, which is why we took the shape of the Latin letter “L”. A characteristic element of the layout is the atriums, which are concentrated in the interior of the building. We used concrete and red brick slabs for the facade cladding. Ultimately, the architecture of the building is simple and minimalist.

The 6-story residential building is located in Kobuleti. The idea of sustainable architecture, ecological concerns, and the clearly defined role of architecture led us to a concept in which people would be in constant contact with greenery, would come to love the routine of its care, and ideologically draw closer to nature. The building has a dual appearance: the strict geometry of concrete swiftly transforms into a composition of light canopies attached to a metal frame. By preserving three evergreen trees on the site, we arrived at the building’s main 5-meter cantilever, which brings residents into a constant emotional context. The dark burgundy canopies, serving as both technical and conceptual elements, provide protection from heavy rainfall and create a rocking-like, ever-changing movement on the facade. The texture of concrete, the metal framework, the canopies attached to it, and the flower boxes installed instead of railings for each apartment make the living space more humane and maintain a constant dialogue with the environment.